Writing – Page 3 – commonplacebook.com

Ryan Murphy does hate lesbians, apparently

Post author:HFM
Post published:December 7, 2012
Post category:GLBT Issues Television Writing

Via Vulture magazine, some interesting commentary of last night’s Glee episode, which I have yet to see. Glee Recap: Carefully Chosen Bells and Whistles — Vulture.

Speaking of chaos, if you’re a casual Glee fan, you might have missed out on exactly how directly last night’s episode knocked down the fourth wall between it and the show’s more vocal fan base. It all starts when Sam leaves a trail of Cheerios for Brittany, which she eats off the floor as she makes his way to him. This is a rare moment of character-related continuity for Glee, since last season Brittany ate a candy bar right out of an actual cat’s actual litter box. Sam tells her that he likes her and they do a surprisingly nice rendition of “Something Stupid.” But when Sam leans in for a kiss, Brittany backs off, and when he asks what’s wrong, Brittany says, “It’s like all lesbians of the nation — I don’t know how they found out about Santana and I dating, but once they did, they started sending me tweets and Facebook messages on Lord Tubbington’s wall. I think it means a lot to them to see two super-hot, popular girls in love, and I worry if they find out about you and I dating, that they’ll turn on you and get really violent and hurt your beautiful face and mouth.”

Angry, violent lesbian stereotype aside, the problem with Brittany’s explanation is how transparent of a reference it is to the Twitter kerfuffle that’s been brewing lately between Ryan Murphy and some of the more ardent Brittany-Santana fans (a group that obviously isn’t comprised exclusively of angry lesbians). Essentially, it really is just that: a spat between fans who are mad at the creator of their favorite TV couple and the creator who’s mad at them for being mad. (The dispute gets more complicated when looked at against Murphy’s track record with lesbian characters on his shows.) Frankly, if I were Ryan Murphy, know what I’d do instead of getting into Twitter spats? I would float on a raft of rubies in a swimming pool full of melted-down gold while negotiating the purchase of the Boston Celtics.

If you don’t want me to watch your show, Ryan, that’s fine – just say so. No need to be a hateful jerk about it. I have better stuff to do anyway, like writing more fully-crafted thoughtful lesbian story lines of my own. I honestly would be perfectly happy with a Brittany/Sam storyline except that:

Glee has done wonders for gay male visibility on television with Kurt and Blaine’s story lines. They’ve been pretty shitty when it comes to lesbian story lines, however. Santana’s coming out storyline was a pretty sexist slap in the face to lesbian fans, and Murphy has been cranky about the backlash to that episode ever since.

All of our regular television programs have been languishing on our DVR since I’ve spent so much time writing lately, and we’ve been particularly neglectful of Glee given my ambivalence about it over the last year. Not even listening to Lea Michele singing can get me to turn on the show anymore. I haven’t quite deleted them, but I may be fast-forwarding through most of the episodes for the Rachel Berry scenes going forward. It feels weird to take that approach to a show that has actual gay characters, as opposed to mere heavy lesbian subtext like Rizzoli & Isles and Once Upon a Time. But being openly hostile to legitimate criticism about lesbian visibility is really problematic.

Some other NaNoWriMo Thoughts

Post author:HFM
Post published:November 30, 2012
Post category:Writing

Trying to write 50,000 words in a month felt like holding my breath under water – everything else was suspended while I worked on writing. I basically ate, slept, went to work and wrote. I cut out television, most socializing and practically all other stuff that invades my day. Trying to keep the house clean, pay attention to twitter or running errands all those distractions went on the back burner. (Facebook was a must, though – because interacting with the NaNo Indy group was a lifeline to keep me going.)

It worked, largely because I removed a lot of barriers to focusing and getting in the zone to writing, and the forced deadline can work wonders.

Is that sustainable, though? Can I really zone out my friends, turn off the television and blow off the house all the time?

I wish there were a better way to balance. Because not writing is not an option, now.

Cutting out the television is pretty easy. Helping around the house, running errands and socializing are more difficult. I’m considering whether twitter really has much of a place in my life anymore.

I need to simplify things so I can both write and interact with my spouse and go to my job without becoming an ascetic.

Your thoughts would be greatly appreciated on this matter.

NaNoWriMo 2012 – Validated

Post author:HFM
Post published:November 30, 2012
Post category:My Writing Writing

So.. I won NaNoWriMo again this year.

I finished three days early – with 50,058 words written this year added to what I wrote last year. Now I need to write the actual final chapters and not just scenes from the climactic ending, but hey – I’m a lot closer to a complete work than last year. Now it’s not a question of if I will ever self-publish, but when.

Last year at this time, I was reading over my novel, and I was really frustrated, because it seemed complete unrealistic. At about the half-way point of the story, I had one of my two main characters do something completely out of character for the way I had written about her up to that point. I did it because I couldn’t think of any other way to get her in the excruciating position she needed to be in so the villain could torment her and drive the rest of the plot. But that false note made all the rest of it seem really hard to believe. It just didn’t read right, and all the following events seemed flat and desperate, like a huge rationalization. I chewed on that for the whole rest of the year and didn’t know what to do. I loved the beginning and loved the characters, but I hated the middle and the end.

This year Garrett Hutson said something at the being of November about plot development along the lines of – “know where your characters are going to go, but to get them there, use a compass, not a map.” That set me thinking – okay, if that plot point seems out of character for my main character, what would she actually do instead? I threw out everything except the end where the characters needed to go, and started writing from just before that false note… and I realized if I changed the villain slightly, and added secondary villain who was working with and also at cross-purposes to the first one, I could get the MC into that excruciating position in a more real way, and then all the dominos started to fall one by one. Now I like the whole story from beginning to end. Even though I threw out 23,000 words I wrote last year and started over, this is a much better story, and one that makes me really happy to read throughout.

I’m in danger, though, of not keeping up with the story now. I hate that the 50,000 word mark was a finish line of sorts, because it’s not done at all, and I still need to keep writing it. It’s good, I think, and original, and interesting, so I need to actually push through and finish.

It was a huge accomplishment that I never thought I could do once, let alone twice. I need to make it work for real. If you could – cattle prod me, please? Bug me about it as much as possible so I don’t get complacent. This was cool, and something that was important to me to do, so I don’t want to let it slide.

NaNoWriMo 2012 – Day 9

Post author:HFM
Post published:November 9, 2012
Post category:My Writing Writing

8. 13,336 – 2750 (14497, +1161)

Those are my notations for Day 8 of National Novel Writing Month.

13,336 – that’s “par for the course” or the least word count for day 8 to stay on track to “win.”

2750 – the number of words I wrote yesterday.

14497 – total word count for November 2012. I have the chapters I wrote last year, but I’m not counting them in this years’ event. Some of those will get trashed and some considerably altered when I’m finished.

+1161 – the number of words I have as a “word count cushion” over the minimum to stay on course.

So I’m keeping up the pace pretty well. I’m poised to do more this weekend that I hope will really put me ahead. I have a pretty clear idea of where I’m going, too, but I’m trying to be flexible enough to make sure I can make changes. As our friend Garrett says – “Know where you’re going, but use a compass and not a road map.”

I have a much more fully formed notion of setting this year than last, which really helps me add detail to scenes and paint a more interesting visual picture than last year, and helped me add detail to the action as well. And I think I have a more complete and satisfying ending in mind that I did last year, with some nice turning points to get us there.

I’m very optimistic that I can get closer to complete by the end of November, and ready to polish. My goal is to have it ready to show my editor – that would be Stephanie – by February. I have one or two other people I want to get feedback from as well. And with editing and revisions based on feedback, I’d really like to have it ready for publication by the end of April. I’m going to use Book Tango to self-publish for e-publication, I think. I don’t have an agent lined up or anything, so I don’t anticipate being able to get the attention of a traditional publisher at first. We’ll see.

Only on afterellen.com would lesbian stalkers be a feel good story

Post author:HFM
Post published:November 1, 2012
Post category:GLBT Issues Writing

Only on that site would no one question a story like this:

The 8 Craziest Pop Culture Lesbian Stalkers

When you hear the term “lesbian stalker,” it’s usually referencing someone you or your friend broke up with that you just can’t get away from. Well I’m sorry to say but lesbian communities are oh-so-small, my friends, and we’re all someone’s crazy ex. But sometimes there are legitimate stalkers who send Ellen Page creepy letters or sit outside Kerry Katona’s house. I’d like to think these people aren’t truly lesbian but just women who are weirdly obsessed with celebrities. But that doesn’t mean true lesbian stalkers don’t exist in the wonderful world of film and TV tropes! In fact, the obsessive gay woman that is willing to go to any length to have what she wants is quite popular. And because it’s that time of year when you like to cuddle up with your closest ladyfriend and watch a scary story, how about one of these true nuts?

Given that the “Predatory Lesbian” trope is even called out as a massive anti-gay stereotype on TV Tropes.com, which actually takes the time to note that much of the time, heterosexual people wrote these stories to scare women back into the closet and to justify homophobic behavior towards lesbians, one would think that a list like this from After Ellen would, I dunno… maybe include why this trope is problematic in it’s portrayal of lesbian characters?

But of course After Ellen would never ever question whether pop-culture’s portrayals of gay women are problematic, because they’re owned and managed by a pop-culture producer themselves, and giving actual critique of a semi-political nature wouldn’t be good for their bottom-line.

Sigh. I don’t know why I read this site anymore, really.

NaNoWriMo 2012

Post author:HFM
Post published:October 30, 2012
Post category:My Writing Writing

Yup, I’m going to do this again. I’m basically going to add 50,000 words to my novel from last year in hopes of finishing it. Wish me luck. I did it once; I can do it again. Of course last time I took a week off work to do it, and this time I’ve already used my vacation. But if other people can do it, so can I.

Fortune Cookie Du Jour

Post author:HFM
Post published:October 7, 2012
Post category:Fortune Cookies

Yeah, right.

It’s like we’re not even watching the same show

Post author:HFM
Post published:September 14, 2012
Post category:Television Writing

“Glee” Recap (4.01): Marley & Me | AfterEllen.com.

I can’t read this recap of Glee. You read it for me. I couldn’t get through the first paragraph, because it’s like the writer and I aren’t even watching the same show. Or sitting on the same planet, even. The crazy; it burns.

I thought her recaps of the last few episodes of Pretty Little Liars were bizarre and off-kilter, but this is nuts. She’s not recapping; that would be narrating the plot of the show for people who missed it. She’s outright rewriting the show with her own interpretation of events and interpretation of character motives, and it’s completely oddball.

25 Ways To Plot, Plan and Prep Your Story

Post author:HFM
Post published:September 12, 2012
Post category:Writing

25 Ways To Plot, Plan and Prep Your Story.

I’m struggling with my novel quite a bit right now, trying to untangle the plot and see if I can figure out what I’m trying to convey. I had a really frustrating time last weekend trying to work it out. The “fly by the seat of your pants” method got a lot more done for me than the “meticulous plotting” method. But it also resulted in some of the plot tangles. So… I have a couple good suggestions from my NANOWRIMO group – and I have this awesome reference. I can see at least 3 different ways of approaching my plot in this article that would probably help me sort out my thinking.

Pixar story rules

Post author:HFM
Post published:June 13, 2012
Post category:Writing

The Pixar Touch – history of Pixar – Blog – Pixar story rules (one version).

These are some fantastic story writing rules from Pixar Writer Emma Coats, as collected from her twitter feed.

Pixar story artist Emma Coats has tweeted a series of “story basics” over the past month and a half — guidelines that she learned from her more senior colleagues on how to create appealing stories:

#1: You admire a character for trying more than for their successes.

#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.

#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.

#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.

#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?

#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.

#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.

#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.

#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.

#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.

#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.

#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.

#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.

#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.

#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.

#17: No work is ever wasted. If it’s not working, let go and move on – it’ll come back around to be useful later.

#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.

#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like?

#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?

#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.