Space Girls

The song is by The Imagined Village.

Source in order of appearance:
Raumpatroille
Lost In Space
Outer Limits
Doctor Who
The Giant Behemoth
Twilight Zone
Attack Of The 50 ft Woman
Invasion Of The Body Snatchers
Avengers
Forbidden Planet
Queen of Outer Space
Space 1999
V
Sapphire And Steel
UFO
Star Trek
Logans Run
5th Element
Andromeda
Barbarella
Soylent Green
Star Wars
Blakes 7
Mork And Mindy
Alf
Star Trek Next Gen
Starship Troopers
Earth Final Conflict
Contact
Lexx
Terminator 2
Firefly
Farscape
Torchwood
New Doctor Who
Startrek Voyager
SGA
Battlestar Galactica
Babylon 5
Space Above and Beyond
Aliens
Matrix
Terminator: Sarah Connor
Xfiles
Crusade
Gattica
Earth 2

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A Song of Ice and Fire

The HBO series A Game of Thrones starts tonight, and author George R. R. Martin responds on his blog to the off-base New York Times article by Ginia Bellafante claiming that the fantasy genre of literature is “boy fiction” and that his series attracts women by spicing up his novels with graphic sex. As he notes in his post, female fantasy fans all over the internet are enraged about the charge that fantasy isn’t for girls, and that Martin’s series attracts the women folk solely through sex.

I’ve read a lot of fantasy series, but have veered away from the genre in the last ten years because many of them are so formulaic – which I’ve complained about here before – many follow the Joseph Campbell tropes – orphan hero with royal heritage goes on travel quest guided by mentor to defeat evil lurking in the mountains to save the world – that is pretty misogynist and repetitively boring as well. One of the many reasons I enjoy Martin’s series is because it blows that annoying trope out of the water – there’s no “one true hero” – but many; a huge cast of characters, all with their own motivations, moving against and with one another advancing the plot in their own ways. Drawing comparisons, I’d say The Wire is the closest I can think of in story construction to Martin’s series. It’s fascinating to see so many characters viewing the same story from different angles, all with partial understanding of what’s really going on, and succeeding and failing without always knowing entirely why.

And Martin has strong female characters – who are strong in different ways from each other – and who are acting on their own agendas, which may or may not be related to men’s agendas. That is a huge appeal as well; to see women acting like actual women act and not like cardboard cutout princesses from some distant mythic fairy tale.

So I’m glad that there’s been an outcry about the characterization of the series, especially since Martin’s fandom has been pretty critical of him of late; he’s had writers block over the last several years and the recent installments of his novels have been delayed. It’s nice to see them fiercely defend him for once, instead of giving him a hard time. I’m looking forward to the series. And if I get around to it, I may need to re-read the novels.

A Game of Thrones (Song of Ice and Fire)

A Clash of Kings (A Song of Ice and Fire, Book 2)

A Storm of Swords (A Song of Ice and Fire, Book 3)

A Feast for Crows (A Song of Ice and Fire, Book 4)

A Dance with Dragons (Song of Ice and Fire)

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Glee Recaps

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I really enjoy reading recaps of Glee episodes because it’s funny to read someone trying to write a coherent narrative about a program that doesn’t actually make any fucking sense whatsoever. It’s mostly “and then this happened” followed by “yeah, I don’t know what that was about, either. WTF.” And yet I watch the show religiously, because I like music and the girls are all pretty. Which we all know is the reason why I watch any show, really.

Let’s be honest. To me the Bechdel Test boils down to:

1. It has to have at least two women in it (more than one woman to fantasize about)
2. Who talk to each other (so that I can infer subtext and imagine them having sex with each other)
3. About something besides a man (it’s hard to imagine them having sex with each other if they’re talking about boners)

I know, I know. I’m a shallow person and a bad feminist.

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Skins: British vs. American

Skins is a British TV show finishing it’s fourth season in the UK. It’s fictional, set in Bristol, England, it focuses on teenagers, and it’s very raw and realistic, covering drug and alcohol abuse and sexuality as topics. It’s raunchy and hugely popular in Britain. I’ve been watching the British version streaming through Netflix, and I like it a lot. It’s a bit shocking in that there is a lot of stuff one would never see on American television, but it seems really real; like these are real teenagers and how they really act, and despite their adult behavior, there’s a sweetness and longing to the kids that betrays how innocent and hopefully they really are underneath their facade of cynicism.

So of course they brought the show to America. And fucked it up. Because that’s what we do.

The American version is almost a shot for shot recreation of the first season of the British original, but with American teens, so of course they look just a bit slicker and cuter. That shot-by-shot recreation is an important point, though — because when they deviate from the original, it means that there’s a calculated reason for it. And the calculation is what’s disturbing.

The story centers around a teenage school kid named Tony and the friends that revolve around him: his girlfriend Michelle, buddy Stan (Sid in the original), and several other pals. Tony is an attractive jerkwad who manipulates his friends, usually for selfish reasons. But he has charisma and charm and they hang around him despite his jerky behavior, because he can talk them out of being mad. He regularly cheats on his girlfriend Michelle, and she knows it, but she overlooks it. Usually. In the British version of the show, this is what brings their relationship to a halt halfway through the first season, and is the source of conflict through the rest of it — Tony decides to fool around with their gay friend Maxxie. It’s not because Maxxie’s a guy that Michelle gets upset, but rather that Tony does it openly where everyone knows about it. She’s been overlooking his cheating for a long time, but now that it’s no longer a secret, she can’t look the other way and she dumps him. The storyline is daring because Tony is so casually fluid about his sexuality; he’s clearly straight but isn’t freaked out about fooling around with another boy, and he’s so vain that he enjoys the attention. He only ends up apologizing for his behavior because he loses Michelle, but for that he wouldn’t care or have any moral problems with it.

And that brings us to the American version, and the homophobia problem with it — in this version, the gay boy Maxxie has been changed to a lesbian girl named Tea. She’s a cheerleader and is open about her sexuality to her friends. She casually sleeps with girls because she enjoys it, but she’s bored with most of the girls she meets and can’t find one that “matches” her level of interest in the world around her or her curiosity. She agrees to go out on a blind date arranged by her dad, and it turns out to be with Tony – whom she fools around with. He makes a case that he is the one that “matches” her. And despite her declarations that she’s gay, she appears to be considering him as a potential interest, at least for the first few episodes in.

Given that every single other element of the show is the same – dialog, jokes, shot for shot recreations of the original – this change is really blatant. Clearly, they were too freaked out by the gay male storyline, or the idea that a straight boy could be fluid about his sexuality, to leave the original story. But in making the gay character a gay girl, they made her sexuality fluid, which is already a stereotype about lesbians that we have to fight constantly, because the idea of a lesbian being “changed” or “corrected” by sleeping with a guy is so pervasive that a common hate crime directed at gay women is “corrective” rape. Having been a victim myself of that particular hate crime, these kinds of perpetuations of the myth that gay women aren’t really gay are painful to watch. It’s the reason I hated The Kids Are All Right, among other things. It’s just not true, and it’s annoying when guys have that false notion in their heads validated onscreen.

I’m going to continue to watch the American version of Skins, but if they end up putting Tony and Tea together, I’m going to be hard pressed not to throw my remote at the screen in disgust.

UPDATE: Of course they went there. Ugh.

Continue ReadingSkins: British vs. American